Τετάρτη 7 Νοεμβρίου 2012

Dj Spery meets... Kosta Kostov !


"Kosta Kostov is not a nickname! Kosta is a DJ, music producer and radio journalist who comes
from Bulgaria but lives and works in Cologne, Germany. He is one of the most interesting persons
i have met in my life. Little bit Balkan, little bit European, little bit International! A man who knows
how to keep his mind always open, how to unify everyone with his music and how to celebrate life.
He just has a big smile, a big heart and a Balkan soul."




1)    Kosta, you were born in Bulgaria and you live in Germany. What did you take with you from your motherland and what you preferred to leave there?
-    “Well..I live actually 18years in this country, in Germany and what I definitely took with me on my way from Bulgaria is..emotions-just emotions. Something that I really miss sometimes in this country, where the people are so well structured, well functioning, very rational and pretty much convinced in the things that they’re doing. I try to keep it not only for me but share it with all the people around me. I see it also, somehow, like a mission of mine and I think that’s a mission of all immigrants here in Germany, to bring some emotions and a bit of sex-appealing with them, everyday! What I definitely didn’t want to take with me is the, how I call it, “Balkan hate-love”. I’m talking about an extreme situation of sentimentality that makes you quit from thinking. This is something that I grew up with, I don’t like it and I think I left it behind..”




2)    What came first in your life, the DJing or the radio and when?
- “The radio! It was actually just after my studies in history and German philology. I was waiting for 12months to pass because they gave me one year to find a job here but then I realized how difficult it is to do so with a linguistic-history diploma, if you don’t want to stay in the “academic area”. I wanted to move somehow! So, I sent a lot of CVs and one day I listened to a radio station that I didn’t know before. I liked a lot their track list and on a Wednesday i think, I sent them an email where I was saying that their music is great and I wanted to work for them! I didn’t have the needed education but I was pretty sure that I could be useful for them. This is what I wrote! So, next day they called me and invited me for an interview and then I got the job! It was like a miracle..because I got the permission to stay in Germany and get my working visa, as well. I met some people after 2months who asked me to play a Balkan set for an event at an African museum! Everybody was prepared to listen to African music but I played Balkan! (laughs) So, this is how everything started back to 2003..”  

3)    How would you describe better your music identity/style?
-    “What I really love to play is Global Electro or Urban sounds from all around the world. I love to “dig” not only the gipsy-Balkan sounds but also Latin-African-Brazilian music..This “bastard” music that makes the electronic music richer and on the other hand, moves every person back to his roots and makes him to take them a little bit further to new Urban sounds. It’s difficult to describe because there are a lot of terms like: Balkan Beats, Bailefunk, Kuduro, Moombahton etc. These are styles that already existed. They just took a new name, a new face and they are very exciting for me.” 

4)    You are the founder of the “Balkan Express” party in Cologne. How this idea came up and when?
-  “The idea came up straight after I started working at this radio station, the Funkhaus Europa in Cologne and after listening to the Bucovina Club compilations of Shantel. I also heard Goran Bregovic’s soundtracks for Underground and Arizona dream, all these good movies that made the big boom in the 90’s..This music was something that I always had the idea to make but I didn’t have the skills to produce it. So, I had to start somehow and I started by exploring sounds from Ex-Yugoslavia, Greece, Turkey, Bulgaria, Romania etc. “Balkan Beats” is a term that Western Europeans developed and year by year, I noticed that is wrong. The Balkans are connected not only to a geographic term but also to a cultural one. There are Balkan Bands in France, in Brazil, in America..So, the “Balkan Express” is a party which interprets the idea of all these Balkan and gypsy sounds. It started in 2004 when I had to travel from Bulgaria and my plane had a 10hours delay so i went straight to the party with the whole crew with me! (laughs) “ 



5)What is the BxPsoundsistema?
- “It was actually a logical development of the “Balkan Express” idea. As I said before, I was bored to play every time the same tunes, like Bregovic and Shantel sounds (and I say it with all of my respect because they both contributed so many things) so, I wanted to do something on my own, my own production. This is when I got connected with a Greek producer named Giorgos Fotiadis (aka “Basement Freaks”) and we did together some remixes, some mash-ups etc…Then, he moved to Germany, we shared my flat and we were living together, making music with other musicians. That’s the idea of BxP Soundsistema (Balkan Express Soundsistema).
Today, I work with three more musicians, on compositions which are not only Balkan but also have some Global sounds..like in my DJ sets..”

6) You have done a lot of remixes for La Cherga, Watcha Clan, DJ Click etc. but also your own productions such as the “Balkan Train” and the “Mambessa” EP. What’s your next step?
-“Right now, I’m dropping out my new EP, the “French Wine” which is dedicated to..the French wine! (laughs) There were two EPs before that also showed how I was moving musically. The first was focused very much on the Balkan sound but even at that moment, I wanted to “open” the format and make it sound a little bit different than all the other productions which were very “folkloristic” to me.
I look for more fusion in my sounds..So this is why that EP (the “Balkan Train”) is more funky, break beat, ragga-dancehall style. The “Mambessa EP” has more belly dancing, shaky, cocek style tracks. Now, my third fresh EP contains the original “French wine” track, the “Peaches and Oats” track and some remixes by DJ Click, DJ Marcelinho Da Lua, DJ LK and Triplet Tricks. It is already released on the Juno digital shop, from the 2nd of November.
Another project that I’m working on, is the video making of a new song of mine with my singer and songwriter from Cologne, John Felix. The video is almost done and I think that is going to come out in about a month.”


7) You have shared your decks with many DJs and bands, played in countless clubs and you have also taken part in many festivals. Where was the most exciting place to play music, so far and why?
-“Exciting for me, is when I get the public’s response so, it depends on it. There is always some energy between the DJ and the public. I got amazing gigs in France, in Spain..One of the festivals that I will always remember is the “Roskilde” in Denmark..However, the high light for me, was the time that I played in Brazil! I was playing at a restaurant in the capital of Brazil, in front of 600 people..They were applauding me without stopping, in the end! There were also some young local and foreign people (with Serbian and Croatian roots), saying “Thank you for playing my grand parents’ music’’! They were so illuminated and there was also one person who was crying from joy…It’s something that I will never forget, it was such a “touching” moment…but of course, there are plenty of them!”

8)You are a big lover of good food and you’re cooking a lot! Do you think that mixing music is often like cooking?
-“Definitely! Most of the best producers and DJs that I know, are good cooks! You always look for the best ingredients, the best quality of bread, of meat, of vegetable..It’s the same with music. You will always look for the best sample, the best kick or snare etc. You will have to combine them right, put them in the right place and in the right quantity & quality. Then, you will enjoy a good meal or a good mix!”

9)Speaking of your “French Wine”, why do you think that alcohol plays such an important role for the Balkan people?
-“ Why? You should ask my father, my grandfather, my grandmother or your father, your grandparents etc.! It’s a tradition that I’m not judging, of course, it’s just there! It comes from the Greeks, actually.. I heard that everything comes from them..! (laughs) It started from the Gods and then, came to the people! It’s a nice way to celebrate life, so..why not?! All nations, all people drink. They just have different drinks and different music..”

10)What does Europe and what do the Balkans, mean for you?
-“ It’s an individuation that is not needed. They belong to each other, culturally and politically. Dividing them, for me, means a lot of troubles. Europe is one.”



    

"French wine" video:

"Peaches and Oats" video:

"Kosta Kostov (balkanXpress Video)" :


-Sound Cloud Page:

-Official Facebook Page:




Τρίτη 6 Νοεμβρίου 2012

Μια βραδιά με τους Lego ..



του Κώστα Παπαντωνίου

Λίγο πριν προσγειωθεί το σύννεφο της «κρίσης», ο Αγγελάκας δήλωνε το 2010 ότι "η χώρα πρόλαβε να χρεοκοπήσει συναισθηματικά, κοινωνικά, ηθικά, πολιτιστικά και μετά οικονομικά", δίνοντας την καλύτερη δυνατή εξήγηση, σχετικά με το γιατί η Ελλάδα παραπατά ακόμα και κάνει... οκταράκια.


Με γεμάτο το πορτοφόλι, η πλαστική ευημερία ήθελε τον Έλληνα με σαγιονάρα και σκυλολαϊκοπ κουλτούρα. Οποιαδήποτε άλλη πρωτοβουλία συναντούσε δυσκολίες και αυτό διότι πολύ απλά δεν... πουλούσε. Μια νοοτροπία που αποδείχτηκε καταστροφική.  Μοιραία, αφού κατρακυλήσεις στον πάτο, θέλοντας και μη δεν πας χαμηλότερα. Η μουσική μετά από αρκετά χρόνια μοιάζει να αναγεννιέται μέσα από τις στάχτες της. Χωρίς δισκογραφικές και πολλά χρήματα από πίσω, αλλά με μεράκι και πόση περηφάνια…!

Παρέες όπως οι LEGO βγαίνουν και παίζουν με κέφι και όρεξη. Όχι για τη δόξα ή τις υψηλές απολαβές, αλλά γιατί δεν αξίζει να "θάβονται" όμορφες ιδέες και εγχειρήματα σε… γκαράζ ή στούντιο.

Αν και πρόκειται για νεοσύστατο σχήμα, παρουσιάζει ομοιογένεια, κατορθώνοντας με τον καιρό να ανεβαίνει σκαλοπάτια και να κερδίζει τον αέρα ενός δυνατού γκρουπ με δική του ταυτότητα.  


Σ’ ένα δουλεμένο πρόγραμμα, αυτοσχεδιάζουν, είναι εξωστρεφείς,  δεν φοβούνται να πειραματιστούν επί σκηνής, να τσαλακωθούν και εν τέλει δικαιώνονται από το ζεστό χειροκρότημα που εισπράττουν.


Τελευταία στάση τους, το Stage 25 στο Περιστέρι, την Παρασκευή που μας πέρασε. Zεστό μαγαζί , σε προδιαθέτει θετικά με το που το επισκέπτεσαι. 

Η ζεστασιά μεταμορφώνεται σε ενθουσιασμό λίγο μετά το σήμα της έναρξης και τις πρώτες πενιές του Μιχάλη Κεχαγιά (τζουράς, πλήκτρα, φωνή ). Σπάνιο το σουλούπι του, σπάνια ακούς έναν τόσο όμορφο ήχο, ακόμα πιο σπάνια φτάνουν στ’ αυτιά σου τα ρεμπέτικα. Ο Γιάννης Μπάκος στην φωνή και την ακουστική κιθάρα, χωρίς φιοριτούρες, σα γνήσιος ρεμπέτης,σε συνδυασμό με τα δυναμικά σόλο του Στέργιου Δήμπα (κιθάρα), την ήρεμη δύναμη, Δημήτρη Αζοράκο στα τύμπανα, τις… τσαχπινιές του Βαγγέλη Λάρυγγα (μπάσο) αποτελούν τα απαραίτητα… συστατικά για μια μουσική βραδιά διαφορετική. Ίσως οι πρώτοι που καταφέρνουν να συνδυάσουν τα ρεμπέτικα με την indie.


Άλλοτε με δικές τους συνθέσεις, άλλοτε με πρωτότυπες διασκευές και μουσικά παντρέματα, ενώ δεν έλειψαν και οι χιουμοριστικές παύσεις. Μια όμορφη αλληλουχία, ηχητικά και νοηματικά. Από τον Μάρκο και τον Χιώτη στους Coral και από τα κομμάτια του Παύλου Σιδηρόπουλου σε αυτά του Μάλαμα και του Αγγελάκα, το παρελθόν βρέθηκε με το παρόν και εμείς χαθήκαμε στο δρόμο..



Κάποτε ο Πρίγκιπας πάντρευε τα μπλουζ με τα ρυθμικά σχήματα του Βαμβακάρη και επένδυε σε στίχους αληθινούς και κακοτράχαλους. Αν βαστούσε η καρδιά σου τους σκάλιζες και αντίκριζες τις "αλήθειες σου να σέρνονται στο πάτωμα γυμνές". Η ευρηματικότητα του, φαίνεται πως αποτελεί πηγή έμπνευσης για τους Lego. Μαστορεύουν μελωδίες που πιάνουν τα riffs των Offspring και αγγίζουν την Μπέλλου. Χτίζοντας τουβλάκι, τουβλάκι την μέχρι τώρα πορεία τους, μας θυμίζουν σε κάθε τους εμφάνιση ότι έχουν... τσακωθεί με την ξεπέτα και δίνουν τη ψυχή τους για να περάσει ο κόσμος, αλλά κι οι ίδιοι καλά.


Γι’ αυτό και ο επίλογος έπαιρνε συνεχώς παράταση, μέχρι να κλείσει στο απόγειο της ευχαρίστησης.

Tους ευχόμαστε «Με το καλό να ξανανταμώσουμε…!»